Corporeal Mimesis – which elaborates physical and vocal actions, working on the poetic and theatrical meetings between actor-observer and bodies, material, images. The presumption is that this meeting potentializes the transformation and recreation of the singular body of the actor. Taking this into account, I penetrate into the mimesis of the word as the possibility of filling empty spaces. An active word can contain all the dimensions of the connections of the images it generates, playing with space and time. Within this context, there emerges the mimesis of monuments, which has started from the memories of the house where lived my great-grandmother. From the house monument, the way of looking has expanded to the lives that inhabit the bodies, creating a new dynamics of observat